Having said this, there are a lot worse guitars out there, and as well as being historically important, the 1820 bass can certainly provide the goods when required. The trapeze tailpiece, wooden adjustable bridge and white scratchplate are original (the. Its a nice little guitar finished in dark red with black edging around the body and a white line around the top edge. Over the course of the 70s, the Japanese output improved dramatically, and in many ways these early 70s models are a low point for the brand. Egmond acoustic guitar made in the Netherlands between the late fifties and early sixties. These new Epiphones were based on existing Matsumoku guitars, sharing body shapes, and hardware, but the Epiphone line was somewhat upgraded, with inlaid logos and a 2x2 peghead configuration. The Matsumoku factory had been producing guitars for export for some time, but the 1820 bass (alongside a number of guitar models and the 5120 electric acoustic bass) were the first Epiphone models to be made there. Everything functions properly and is flat, straight and tight. This guitar has aged well and resonates like a much bigger guitar. By the end of the 1960s, a decision had been made to move Epiphone guitar production from the USA (at the Kalamazoo plant where Gibson guitars were made), to Matsumoto in Japan, creating a line of guitars and basses significantly less expensive than the USA-built models (actually less than half the price). Beautiful vintage parlor, Travel, 3/4 size guitar with tons of punch.
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